MASUMI HAYASHI

RESUME (12/97)

1. EDUCATION

• 1977 M.F.A, Florida State University, Tallahassee, Florida, major professor Robert Fichter, visual arts (photography).
• 1975 B.A., Florida State University, Tallahassee, Florida, visual arts (photography).
• 1985 Post College Certificate with honors, Sheridan College, Oakville, Ontario, Canada (computer graphics).

2. TEACHING EXPERIENCE

• 1982-present Full professor, Cleveland State University, Cleveland, Ohio, photography and 2-D art.

3. CREATIVE RESEARCH (ART)

A. EXHIBITIONS

1. One Person Exhibitions, Curated.

• 1998 "American Concentration Camps," Whipple Art Center, Las Vegas, Nevada.
• 1997 "CityWorks," curated by Helen Leggitt and David Perry, Bonfoey Gallery,Cleveland, Ohio.
• 1993 "Post Industrial Panoramic Landscapes," curated by Alison Nordstrom, Florida State University Art Gallery, Tallahassee, Florida.
• 1993 "U.S. Concentration Camps," Japanese American Citizens League Tri-District Conference exhibit, Dorothy Fuldheim Room, Sheraton Hotel,Cleveland, Ohio.
• 1992 "EPA Superfund Sites," curated by Barbara Tannenbaum and Wendy Kendall Hess, Akron Art Museum, Akron, Ohio.

2. Selected Group Exhibitions, Curated.

• 1997 "Landscape/ Land Use," curated by Roger Rawley and Joan Lyons, Visual Studies Workshop Gallery, traveling for three years, Rochester, N.Y.
• 1996 "Gender: Beyond Memory," curated by Michiko Kasahara, Tokyo Metropolitan Museum of Photography, Tokyo, Japan. Catalogue book. 1996"Transition/Displacements," curated by Marjorie Tallalay and Jeffrey Grove, Cleveland Center for Contemporary Art, Cleveland, Ohio. Catalogue.
• 1996 "Grids," curated by Carol Eliel and Lynn Zelebanksky, L.A. County Art Museum, Los Angeles, Calif.
• 1996 "Recent Work by Fourteen Ohio Photographers," curated by Catherine Evans, Columbus Museum of Art, Columbus, Ohio.
• 1995 "Assembled Works: Selected Photographs from the Permanent Collection," curated by Tim B. Wride, Los Angeles County Art Museum, Los Angeles, California.
• 1995 "War Works: Women, Photography, and the Art of War," 11 women photographers curated by Anna Fox, show based on book, War Works, by Val Williams, London, England. Victoria Albert Art Museum, London, England. The Arts Council of Great Britain National Touring Exhibitions department will be touring this exhibit from 1995-1997 in the United Kingdom and Europe (book).
• 1995 "Fragile Landscape," curated by Derek Johnson, Center for photography at Woodstock, Woodstock, New York. (catalogue)
• 1994 "Global Environment," curated by Diane Barber, 20 artists dealing with issues of landscape and the environment, Houston Foto Fest, Houston, Texas. (book)
• 1994 "A Sense of Place," an Ohio/Japan exchange exhibit curated by Sarah J. Rogers, Director of Exhibitions at the Wexner Center for the Arts, and Yuji Maeyama and Yukito Tanaka, curators at the Museum of Modern Art, Saitama, Urawashi, Japan, sponsored by the Ohio Arts Council.
• 1994 "Old Glory: The American Flag in Contemporary Art," curated by David Rubin, Cleveland Center for Contemporary Art, Cleveland, Ohio. Traveling exhibit in America including Phoenix Art Museum. (catalogue)
• 1994 "Nervous Landscapes," artists: John Divola, Masumi Hayashi, and Dean Chamberlin, curated by Alison Nordstrom, South West Museum of Photography, Daytona Beach, Florida. (catalogue)

B. GRANTS AND FELLOWSHIP AWARDS

• 1997 "Research Fellowship," Civil Liberties Public Education Fund, W.D.C., project grant on the Japanese American and Japanese Canadian internment camps.
• 1997 "EFFRD grant," Cleveland State University faculty research grant, Cleveland, Ohio. Project grant.
• 1994 "Cleveland Visual Arts Award," Cleveland City Women's Club, Cleveland, Ohio, one artist in the city of Cleveland is selected each year for this award by a panel of art professionals.
• 1996 "Artist Fellowship in Photography," Ohio Arts Council, Columbus, Ohio. July 1996-June 1997.
• 1995 "Artist Project Grant," Ohio Arts Council, Columbus, Ohio. (July 1, 1995 to June 30, 1996).

C. PUBLISHED REVIEWS OF ARTIST'S WORKS

1. In Books

• 1997 Lippard, Lucy. The Lure of the Local, New Press Publishers.
• 1996 Hinson, Tom. Legacy of Light: Photographs from the Collection of the Cleveland Museum of Art, Cleveland Museum of Art, Cleveland, Ohio.
• 1995 Lippard, Lucy. "Undertone: Nine Unacculturated Women Photographers." Framings: New Women Feminist Photographers. Ed. Diane Neumayer. Philadelphia, Pennsylvania: Temple University Press, 1995.
• 1994 Williams, Val., "Women, Photography and the Iconography of War.",War Works, London, England: Virago Press Ltd., pp. 61-64, 1994.

2. In Professional Journals

• 1997 The Public Art Review, Democracy, (cover) a journal dedicated to public art, editor Debra Karasov, Minneapolis, Mn., (issue no. 17: Democracy).
• 1997 "Single Frames, photographer Masumi Hayashi", DoubleTake Magazine, Fall 1997, a quarterly journal featuring photography, poetry and prose,the Center for Documentary Studies at Duke University, Durham, N.C.
• 1995 "American Concentration Camps." See, A Journal of Visual Culture, Ed. David Reed, San Francisco, California, (Winter 1995), pp. 33-35, 64. Johnson, Dereck.
• 1995 "Landscape for a New Millennium." The Photography Quarterly, The Gift of Choice, Woodstock, New York, (Spring 1995), p. 19.

3. In Magazine/Newspapers

• 1997 Nishimasa, Jessie. "Masumi Hayashi." The Nikkei Voice, a national forum for Japanese Canadians, Toronto, Canada. October , 1997.
• 1997 Litt, Stephen. ""Panoramic Presentation." The Plain Dealer, Cleveland, Ohio, November 23, 1997.
• 1996 Creighton, Millie. "Profile: Masumi Hayashi-American Artist." The Bulletin, a journal for and about the Nikei community, Vancouver, B.C., Canada, September, 1996, pp. 18-20.
• 1995 Dowie, Mark. "The Fourth Wave." Mother Jones Magazine, San Francisco, California, April, 1995, pp. 34-35. Hagan, Jeff.
• 1995 "The Artist Outside." Cleveland Magazine, Cleveland, Ohio, July, 1995, pp. 19-22.
• 1995 "Kensington Gore." The New Statesman & Society, London, England, 13 January 1995.
• 1994 Karrfalt, Wayne. "Ohio Art Show Speaks in Tongues About Nowhere in Particular." The Japan Times, Tokyo, Japan, 17 December 1994, ArtSection.
• 1993 Solnit, Rebecca, "The West Revisited." Creative Camera Magazine, London, England, December/January 1993, No. CC319.

D. LECTURES, PANELS, WORKSHOPS.

1. Panels

• 1997 Panel, "The Landscape in Question," Transforming the Mirror, Women in Photography Conference, Simmons Institute for Leadership and Change, Boston, Mass. (June)
• 1996 Panel, "Gender, Beyond Memory," lecture and panel, Tokyo Metropolitan Museum of Photography, Tokyo, Japan. (simultaneous translation, Sept.)
• 1995 Symposium panel, "Warworks: Women, Photography, and the Art of War," Artist Lecture and Panel Member, Royal College of Art, London, England. (February)
• 1993 Panel Member, "Can You Tell a Sansei from Her Photographs," Society for Photographic Educators, Seattle, Washington, national conference. (March)

2. Artist Lectures

• 1996 ARTIST LECTURE, "Building a Collective Memorary," Cleveland Center for Contemporary Art, Cleveland, Ohio. (December)
• 1996 ARTIST LECTURE, "The Japanese American Experience: Concentration Camps, Photo Reconstructions," Supersession lecturer, Art Ed Scape, Ohio Art Education Association regional conference, Cleveland, Ohio.(November)
• 1995 VISITING ARTIST LECTURE, "Photo Collage," Los Angeles County Art Museum, Los Angeles, California. (December).

F. COLLECTIONS

1. Public Collections

Los Angeles County Art Museum, Los Angeles, California.

Victoria and Albert Art Museum, London, England.

Tokyo Metropolitan Museum of Photography, Tokyo, Japan.

George Eastman House, Rochester, New York.

St. Petersburg Fine Arts Museum, St. Petersburg, Florida.

Loyola Marymount College, Los Angeles, California.

Sheridan College, Oakville, Ontario, Canada.

Cleveland State University, Cleveland, Ohio.

Columbus Museum of Art, Columbus, Ohio.

Cleveland Museum of Art, Cleveland, Ohio.

Mint Museum of Art, Charlotte, North Carolina.

Southeast Museum of Photography, Daytona Beach, Florida.

Case Western Reserve University, Cleveland, Ohio.

Japanese American National Museum, Los Angeles, California.

2. Corporate Collections

Jones Day Corporation, Cleveland, Ohio.

British Petroleum of America, Cleveland, Ohio.

Progressive Corporation, Cleveland, Ohio.

Cleveland Foundation, Cleveland, Ohio.

U.S. Trust of N. Y., New York, New York.

Latham & Watkins Corporation, Los Angeles, California.

Fidelity Investments, Cincinnati and Cleveland, Ohio.

Fidelity Investments, Boston, Massachusetts.

Fidelity Investments, Los Angeles, California.

Aaron Spelling Entertainment Company, Los Angeles, California.

Southern California Gas Company, Los Angeles, California.

Key Corporation, Portland, Oregon.

Oracle Corporation, Silicon Valley, California.

Bank of Montreal, Los Angeles, California.

Creative Casting Association, Los Angeles, California.

Thomas, Hine, and Flory, Cleveland, Ohio.

Toulose and Belloitte, PPG Building, Pittsburgh, Pennsylvania.

Moen Corporation, Cleveland, Ohio.

3. Commissioned Corporate Collections

Scripts Howard Corporation, Cincinnati, Ohio (1989).

CitiCorp, Philadelphia, Pennsylvania (1989).

McCann Erickson, New York, New York (1988).

Metro General Hospital, Cleveland, Ohio (1991).

University Hospitals, Cleveland, Ohio (1992).

The Plain Dealer, Cleveland, Ohio (1994).

Jacobs Corporation, Cleveland, Ohio (1994).

4. Private Collections

Stephen White, Los Angeles, California

Michael Greigzer, Beverly Hills, California.

Ron Myer, Los Angeles, California.

Peter Galvin, Cleveland, Ohio.

Greg Klima, Cleveland, Ohio.

Jonathan Buchter, Cleveland, Ohio.

Aaron Spelling, Los Angeles, California.

Jan De Bont, Los Angeles, California.

Stephan Landsman, Chicago, Illinois.

Steven Miller, Cleveland, Ohio.

Ronald A. Pizzuti, Columbus, Ohio.

John and Cathe Kolbacker, Columbus, Ohio.

Russ, Leland, Los Angeles, California.

Geoffrey Gund, New York, New York.